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| My ticket |
(From "6 Australians") The Rolling
Stone was full to the brim (probably more than it should have been) and the
concert started off with the support band Cruzados, a group from Los
Angeles who presented their album After Dark. They played quite well, it
was a kind of broad, multi-ethnic rock, full of Mexican influences. However,
after the fourth or fifth song the audience started whining and the singer,
with an admirable use of self-deprecating humor, calmed them down, saying that
he knew that we were all impatiently waiting for INXS and their own performance
was coming to an end.
(…)The lights dimmed, the first members
of the band came on stage. On the notes of Kick, as soon as Michael’s
curly hair showed up, I lost control of where I was, unfortunately breaking the
promise made to Piga’s father, that is, to look after his son. I’ve seen many concerts apart from INXS, but I
felt such bedlam and uproar among the audience only on that night in Milan; I
was literally in the hands of the crowd and it took some time before I realised
it was better not to resist that uncontrollable riptide.
(…) The
rhythm was sprung, the songs were powerful and Michael stood tall.
He was
in total control and I was impressed by the self-confidence he was flaunting:
he was wiggling and dancing from one end of the stage to another, without
pausing, without any decline in his voice. The band
didn’t spare themselves either and played the whole album Kick and some
gems from the precedent production, such as What you need, The one
thing, Listen like Thieves-War, This Time, Shine like if
it does, The Original Sin and the wonderful Kiss the Dirt …
****
The history of the Rolling Stone in Milan.

As early as the mid-1970s, rumors were circulating that
David Zard (historic music promoter) had the idea of creating a rock disco, but
it was Enrico Rovelli (Vasco Rossi's historic manager), in 1981, who took over
Studio 54 and turned it into the Rolling Stone (opening 18/03/1981) The idea
was a winner right away and among the first to perform were Iron Maiden in an
unprecedented jazz-style double concert, one at 4 p.m., the other at 9:30 p.m.
They will be followed by such high-caliber artists as INXS, Nick Cave, Joe
Cocker, Ramones, Simple Minds, Bryan Adams, Bad Religion, Beastie Boys, Richard
Ashcroft and many more. The venue was particularly prized for its acoustics
that were difficult to recreate in larger spaces such as the Palatrussardi
first and the Assago Forum later. For
this reason, Italian and foreign artists compete for the Rolling Stone stage.
Over the years, the opening of other venues, people's changing tastes, and
despite ninety concerts a year with a loyal audience, on January 30, 2009,
Enrico Rovelli announced, in an article in the Corriere della Sera, the parting
of the ways, the closing of the Rolling Stone and its subsequent demolition in
favor of a 12-story apartment building. However, it seems that some portions of the old building
remained intact underground and retained all the energy released in the
concerts.
It has been rumoured that some residents, at night, heard
wonderful music echoing in the garages and blamed it on drinks in some pub.
It's not the alcohol my friend, it's that rock never dies! 👅
“Come on, Come on, Come on
I look around
Unsatisfied
At what they're giving me
Then I think
To myself
Is there someone else
Who feels the same as me
Do you feel the same baby
When my back is broken
When the mountain moves away
All the dreams and promises
That we give
We give away
Sometimes you kick
Sometimes you get kicked
Sometimes you kick
Sometimes you get kicked
(…)
(INXS, Kick song by Andrew Farriss and Michael Hutchence)